Srinivasan’s expansive view doesn’t ignore U.S. cinema; the blog’s coverage of Inglourious Basterds remains among the most densely packed and satisfying on the Web. And for those still worshipping at the altar of Woody Allen, Brody’s got your back.—Brynn White, indieWIREFlaunting the “independent” banner with business-minded acumen, indieWIRE stands as a prime example of the ways in which commercial online outposts serve up news, information and interactive commentary. Stuyck, meanwhile, takes the time to handle any rights issues that may arise in reprinting previously published material. Paul Brunick I like to read and write Hollywood movie reviews and encouraging the user to be more engaging. Not every critic is the same. More recent highlights include a thoughtful appreciation of critic Gilbert Seldes and an analysis of the forgotten possibilities of “the cross” in film blocking.—Paul Fileri, Unexplained Cinema If the blogosphere is a realm that’s predisposed to linguistic profusion, Unexplained Cinema stands out for its beguiling reticence. and encouraging the user to be more engaging. Film About A … Seitz may have started small, but like the film he championed back then, his opus could not be contained.—Evan Davis, Reverse Shot Despite being based on an open-source content management system instead of smudgy newsprint, the audacity of Reverse Shot lies in its “spirit of ’68” adherence to principles of print journalism. More than the sum of its parts, Kino Slang’s posts cumulatively comprise their very own histoire(s)—of cinema, of politics, and of personal artistic commitment.—Dave McDougall, Ludic DespairNorthwestern University professor Jeffery Sconce has devoted his career to the scholarly probing of seedy cinematic underbellies: exploitation flicks, televised trash, and various cult phenomena. Bong Joon-ho’s Parasite proved the big winner this year, landing five awards, including Best Picture of the Year. That a stinging pan of Cameron’s blockbuster gets roughly half the space of an appreciative look back at Lav Diaz’s filmography is enough to give the most despairing cinephile reason to hope.—Matthew Connolly, The House Next DoorSalon writer Matt Zoller Seitz has been in the game a long time. In montages of textual quotations and screen grabs, Supposed Aura excavates moments in film that reach for truth, exploring the image in its capacity to reveal. Their witty reviews really are well worth a look as are their numerous articles and past releases. Seattle, WA – The Seattle Film Critics Society (“SFCS”) announced the winners in 20 categories for the 2019 Seattle Film Critics Society Awards on Monday, December 16, 2019. Let me know what critique website works better for you. Fujiwara, who grew up in Brooklyn and has lived in Tokyo for the past three years, says he seeks to steer the journal toward examination of the critical scenes in countries outside North America and Europe, and spur more thinking on “the theory and practice of criticism, the ways it gets written and read, in practical terms, and what critics’ goals and ideals are.”—Paul Fileri, DVD BeaverWith its wealth of screen grabs direct from their DVD or Blu-Ray sources, Gary Tooze’s DVD Beaver is the go-to site for home-cinema perfectionists. Whether dusting off forgotten gems and industry players or providing fresh analysis on the already canonical, the Siren speaks with the grit, gumption, and savvy of the pre-Code ladies she so admires. Lindbergs has a terrific eye for both composition and charisma, and she’ll snatch up any topical hook to assemble impressive mini-galleries of beloved stars and directors memorialized in press photos and candids. Great selection, thanks a lot. Later, for the short-lived Cinema Magazine, he wrote at length about Boetticher and Rossellini, two filmmakers who almost made the grade (alongside the holy trinity of Ozu, Bresson, and Dreyer) in Schrader’s 1972 book Transcendental Style in Film.—Paul Fileri, Observations on Film ArtFilm scholar David Bordwell is a one-man institution—not only a font of productivity (staple volumes Film Art and Film History, co-written with wife Kristin Thompson, are now in their ninth and third editions, respectively) but a kind of eager, plainspoken ambassador for the field. Thanks for your kind words! Check out http://www.filmsite.org – recommended personally by Roger Ebert when he was alive. Thanks for sharing this. Andy Rector’s selections of text and image capture the moments when history seeps through moving pictures in spite of themselves, revealing for a trembling instant the politics underlying their representation. By it tended to produce.” They hope to “cultivate a space [for] more speculative and porous ways of thinking that can cut across the typical genres, styles, and media of thought.” The first issue was entitled “Jargon” and approached, in a manner both critically acute and slyly ruminative, the ways that epithet gets bandied about. Film Criticism Journal. . The site sets itself apart through its assemblage of talented contributors, many of whom are able up-and-comers in New York’s criticism and repertory programming scenes. Kenny has always been ambivalent about the position online criticism holds in the cultural discourse. **1/2020 updates will be indicated with two stars** *2019 update - new edits include my views on wattpad and campnanowrimo My take on the Best Critique Websites out there (Internet keeps improving so please let me know of any changes.) . Please try this related post: http://fullonlinestreamingmovies.blogspot.com/2016/01/best-sites-for-free-online-streaming-movies.html, For Indian movie reviews, you can go onto https://pycker.com, This article is good. This is a great list and very informative. Jonathan Rosenbaum. A recent post quoted Jean-Claude Rousseau’s “La beauté n’est jamais fictive”: perhaps the beauty of cinema is in its truth, and vice versa. Hi, Readers have become contributors, happily driven to transcribe, compile, or translate material, thereby adding to the site’s stripped-down yet well-organized database. http://viooz.as/ This one is absolutely free and legal as well. Run by former GreenCine Daily guru David Hudson (who also blogged briefly for IFC.com), it offers an extensive daily clearing-house of film-related news, criticism, and commentary generated from online and print publications, as well as from personal blogs and lively interactive amateur enclaves on the Web. For the most part, JonathanRosenbaum.com showcases the most productive period of his career—his two decades at the Reader—as each month J.R. dredges up a piece from the vaults and generously pads it with a selection of stills. Websites such as Rotten Tomatoes and Metacritic, seek to improve the usefulness of film reviews by compiling them and assigning a score to each in order to gauge the general reception a film receives. But this is a place where “American movies” tend to mean Bush Mama and Los Angeles Plays Itself rather than Avatar and its ilk. Reader to the Chicago Reader), contributed pieces to Senses of Cinema, and provided several essays for the British DVD imprint “Masters of Cinema”—but his blog doesn’t beat around the bush when it comes to its geographic specificity. This is a great list, I love it when there is a very clean interface when reading reviews. Fred Camper. It came at a time the status of film criticism in the USA was changing, with a rise of interest in movies by intellectuals, and it was a crucial part in it, a stepping stone for the ascent of film criticism into the world of letters. A formalist at heart, Emerson will spend weeks at a time analyzing isolated aspects of cinematic style: opening shots, close-ups, long-take staging. Edited and written (with semi-regular guest contributors) by Doug Cummings, the Los Angeles-based co-founder of Masters of Cinema (see separate entry), Film Journey is less a modest triumph than a triumph of modesty: unaffectedly functional in style, wonkish but never willfully obscure, updated on a schedule that’s leisurely but sustained (Journey has averaged a handful of entries per month for over six years now). 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